Breton USES The Following Words To Glorify Her Association. Essay Samples

English

‘Nadja’ the work based on magical realism by Andre Breton’s is positioned somewhere amid the story of the author’s own life and a metaphysical historical imaginary tale with a deep indication of all the attributes of magical realism. Nadja is for sure a beautiful love story in its first level, but the underlying major question is regarding the entity of affection. The straight answer is the imaginary magical character, Nadja, a gorgeous and fascinating lady whom Breton, who is in fact the writer and the one who plays the lead character turn into fanatically obsessed with for about ten days.
In the narrative we can identify that the character of Nadja lives her life by instinct and observes and evaluates the world in a different way than even Breton visualizes it. Breton is debatably more practical and dependent on earthly reality. This extremely conflicting ways of philosophy lend to a fascinating exposure about the author Breton himself. Actually the book is an introspective, self critical narrative about Bretonand this is reflected in his obsession towards Nadja.
In an appealing response from Breton, for whom the inevitable fantacy for Nadja bears the risk of falling into complete insanity, and maybe it was Breton’s implied caution in Nadja that the surreal environment can suddenly become a deadly fence in for the one who is not prepared for it.
An analytical reading of Nadja is needed in order to evaluate the complete degree of Breton’s surrealist obsessions for Nadja and the increased focus given to women’s function in gaining a surrealist image.
In the book as Breton mentions about Nadja in many instances, we can identify the passionate obsession he has for Nadja. As Nadja, enjoys an evening in front of a beautiful fountain where she is enjoying the jet along with Breton, he imagines the flowing waters to be “your thoughts and minefalling back only to be driven back up with the same strength” (86). The passion and obsession for Nadja is poetically mentioned in these words.
The book evaluates Surrealism’s concerns, ideologies, and approach en route for everyday existence while analyzing various philosophies of affection and bodily infatuation. In unfolding Breton’s passion and obsession with Nadja, an emotionally troubled beautiful young lady from Paris, this introspective work which feels like an autobiography, centers on the author’s own viewpoint that surreal levels of emotional realization were easily achievable in the course of interactions with the feminine part of male existence and during the course of love with increased sexual passion. The book starts with opening note, Qui suis-je? Which can be translated as “Who am I?”
An unusually dramatic situation takes place in the timeline when Nadja, as she was explaining a sadistic happening from her earlier life, disturbs Breton’s own psyche and it hurts him so emotionally, out of his passion and obsession towards Nadja, thus fixing the tone for the end of their mutual relationship:
“I do not know what absolutely irremediable feeling her derisive, sardonic account of this horrible adventure awakened within me, but I cried for a long time after hearing it, in a way I did not suspect I could still cry”. (113-14)
Those initial sixty pages seems to be devoted for a mix of assumption, Surrealist talk, Breton’s previous encounters, aspirations, and various travel experiences through the city of Paris.  As Nadja makes an entry, the book momentarily changes track to diary entries with dates, and we could sense a feel of passion and a sense of obsession towards Nadja in his writings.  Eventually, Nadja is moved to a sanitarium and from there on the storyline proceeds to clear-cut prose fiction when the author in conclusion has the detachment to evaluate and re think Nadja’s influence on his existence and imagination.
The novel concludes on a message of glorious expectation after the writer’s possible meeting with a new woman. Her company is mentioned as ‘The Dawn’ of a fresh association and her presence is celebrated by the writer who is also the central character with extreme passion.

“You, who do so wonderfully all that you do and whose splendid reasons, not bounded for me in unreason, dazzle and all inexorably as thunderbolts.” (157)
There are numerous ways of judging about Nadja and what the character symbolize for the writer, Breton. She can be considered as an unbound soul who portrays herself to be a “soul in limbo.” She is practically not able to survive for extended times in the real world and she is moved in to a sanitarium, where she lives the rest of her life.
During one of their normal night walks, Nadja abruptly identifies a hand, made of fire above them. When Breton plans to move on, Nadja stops him and turns irritated: “But in reality what does that hand of fire signify? It shows the deeply residing passion and obsession between the two revealed in a symbolic way.
“She is still quite distressed, and tells me to follow a line slowly traced across the sky by a hand.“Still that hand.” She shows it to me, as a matter of fact, on a poster, a little beyond the Dorbon bookstore. It so happens that there is, high above us, a red hand with its index finger pointing, advertising something or other.”
A detailed analysis of the work reveals the fact that Nadja is in a sense, a collective head of the author Breton and the readers, a location where both the writers and readers imagination co-exist and both of them adds to the conceptualization of the literary art and of the significant theme and idea communicated to the reader.

Works Cited

Breton, Andre. Nadja. New York: Grove ;, 1960. Print.