Culture Video Essay Example

Throat singing is a cultural practiced by Tibetans or the Tuvans in the acquired taste. It is predominant in the rural region of Russia located in northwest Mongolia. Two women come together to produce various notes that resonate harmonies. In the vocalized technique, a singer’s tongue, velum, and jaw will create distinct harmonies using only the bodies.
Most people marvel at a singer ability to produce a number of notes at the same time and create worldly sounds. Throat singing belong to old women cultural tradition as they breathe and shake their head in rhythm. Two women come bundled in parkas with fur and leather pattern decorations. They remove their hoods and face each other. One starts by drawing breathe and prepares her song. The other woman waits in the anticipation of the first sound. She has to echo the noise in rhythm to maintain the spot in the play. Later there is initial gambit that appears sigh, gasp, hum, growl, or rumble. Once the instigator begins, the partner joins in the song that can last up to two minutes. The two women hold each other by the elbow using mittened hands and sway as they speed up matching each other note, breathe, and noise.
Tanya Tagaq is a contemporary proponent of throat singing. The elders in Inuit communities express concerns to preserve some of the traditional elements of Inuit throat singing. For that reason, the singers should only sing songs particular songs in the prescribed manner. Musicians, who want to take up a song from a certain area, should seek permission from the elders before performance. Nunavut throat singer Tanya Tagaq uses accompaniments such as rave like beats and guest hip-hoppers without her compromising her art. Tagaq shares vocals with a Buck 65 a hip pop artist as they move in an electronic groove. She performs rhythmic breathing as someone else violins to compliment her tracks.

Works Cited

Perry, Megan. "Pump Up the Volume Throat-Singing]." Herizons Spring 2006: 22-5.