Good Example Of Essay On Emily Dickinson

Emily Dickinson is a person of a unique, mysterious and strange fortune. She was unknown to the world while she was alive; however, Dickinson was with one accord recognized as a classic. Her life was barren for outward events, but it possibly was saturated with intensive emotional and intellectual experience. Dickinson was born in a town of Amherst, Massachusetts, where she quietly and uninterruptedly spent all years measured to her by a fortune. She was a daughter of a lawyer, then treasurer of Amherst College. Her father was a harsh and hard-edged man. Dickinson was raised in the atmosphere of New England, where always were unshakable religiously-puritanical traditions. That fact had an essential effect on poetess’ lifestyle, disposition, and poetry. She studied at a local college and also at Mount Holyoke Female Seminary.
Dickinson never had a family and children. She lived in a parent’s house while the last twenty-five years she doomed herself to a voluntary seclusion. She almost completely hid from the surrounding world. She was small like a bird — as she portrays herself, with eyes of cherry color, with a soft and quite voice, fast mind. She was also fast in moving. Dickinson often wore white dresses and while noiselessly flying about the house, she seemed to be an extraterrestrial creature (Bloom 1). Nowadays, it just may be guessed what exactly was happening inside of her when she was hidden from somebody else’s eyes. Some signs may be found in her poetry and separate allusions in the letters. There were several person that played an essential part in her life. Dickinson shared her creative plans. However, she even hid from the family the fact that she writes. After her death, an archive had been found — many writing-books and papers that contain about one thousand and eight hundred verses. The publication of all those works started after her death and continued for almost a century. Significant fact is that while Dickinson was alive, there were only six of her works published (without an authorship), which did not interest anyone, though. Her poetry is very distinctive, original and innovative.
Her verses as usual are ten-line miniatures, plotless, devoted to impressions. Sometimes, they are presented as aphorisms about God, humane love, death, and being. She applies to a so-called free verse, without rhymes; nevertheless, sometimes, she uses rhymes, assonances and does not deny a classical verse. The rhythm and intonation may interrupt and break up. Dickinson is laconic, loves both monosyllabic and disyllabic words and sometimes lifts the syntax. Her characters are figurative, even “dark” need to be interpreted because they are built on chimerical associations (Bloom 9). In her verses, a new world appears — complicated and conflicting world. However, her poetry is not descriptive but seems to be overcrowded with the inner energy. Dickinson called it “a message to the world”, from which, nevertheless, she did not wait a response.
As distinct from Walt Whitman with his cosmic, branchy and free intonation and unity, with all variety of being, Dickinson is his poetic antipode, an artist, who portrays the reality in its strong discord — of a soul and matter, a depravity of the world and impossibility of reduction. There is always the theme of a death in her verses that are painted with a sadness and thoughts about the unfeasibility of a dream. Religious motives go through her poetry and the thought about God never leaves her. The romantic disposition is a base of her esthetics. However, Dickinson attracts with a wealth of realistic details, which are evidence of her observation and philosophic structure of mind.

Works Cited

Bloom, Harold. Emily Dickinson. New York: Chelsea House Publishers, 1985. Print.